New plays in unusal spaces.
Timeless stories reimagined.
Experiments toward a future theatre.
New plays in unusal spaces.
Timeless stories reimagined.
Experiments toward a future theatre.
Please help support independent theatre making through a Pay What You Wish Contribution!
distance over time is not a non-profit corporation, we're a collective of artists contributing our personal time and resources to making new work.
All money received goes directly to cover artist pay and production costs.
Meet RK. Here. In this place shared by you and I.
RK would like to share a story with you about some things that happened once.
Perhaps some of this story will be familiar to some of you.
This story is about a year in a life. Who are we in a broken world? How do we survive?
This one-actor piece by OBIE lifetime achievement award winner and 2024 Guggenheim fellow Caridad Svich explores the radical nature of vulnerability during shocking times.
Frequent collaborators Andrew Hungerford and Douglas Borntrager team up with acclaimed performer Elizabeth Chinn Molloy to create an on-line performance that is simultaneously a piece of site-specific theatre for a single audience member and a streaming event available to everyone.
Poignant and intimate, this one night only livestream experiment pushes at the boundaries of what we call "theatre."
Live streaming HERE on October 26.
Caridad is a playwright-poet, screenwriter, lyricist, editor, translator, essayist and educator. They are a 2024 Guggenheim Foundation Fellow in Creative Arts- Drama and Performance Art. They also received the 2023 Flora Roberts Award from The Dramatists Guild, and a 2012 Obie for Lifetime Achievement. She is Artistic Director of the Alcove New Play Development Program at the Lucille Lortel Theater in New York City, founder of NoPassport theatre alliance and press, and serves on the advisory board of Global Performance Studies journal. She is a former Harvard/Radcliffe Institute Fellow and TCG/PEW and TCG.NEA Fellow. She holds an MFA from UCSD, and also trained for four consecutive years with Maria Irene Fornes at the legendary INTAR Hispanic Playwrights In Residence Laboratory.
Elizabeth's recent work includes All-One: The Dr Bronner's Play,Theatre: A Love Story, In the Night Time (Before the Sun Rises), Puffs, Mercury, and SuperTrue with Know Theatre of Cincinnati and Jo March in Little Women, Viola in Twelfth Night, and Calpurnia/Soothsayer/Messala in Julius Caesar with Cincinnati Shakespeare Company. Elizabeth has worked with numerous theatres throughout the Greater Cincinnati area including Concert: Nova, MadCap Puppets, New Edgecliff Theatre, and Falcon Theatre. She is a Cincinnati native and a proud graduate of Smith College.
Andrew is a theatre maker with a scenographic approach to storytelling and over 300 design credits. From 2014-2024 Andrew was Producing Artistic Director of Know Theatre of Cincinnati, where he was also Resident Scenic and Lighting Designer from 2007-2024. After years of splitting most of his time between Ohio and California, Andrew is now based in Los Angeles. He holds degrees in theatre and astrophysics from Michigan State University and an MFA from the University of Cincinnati College-Conservatory of Music.
Douglas has designed hundreds of shows and received numerous accolades for his designs, including two Cincinnati Entertainment Awards for Outstanding Lighting, Sound, or Special Effects for Hamlet and Eurydice, a LCT award for Sound Design for When the Rain Stops Falling, and a LCT award for Video Design for Gruesome Playground Injuries. Douglas is in his 20th season as resident sound & video designer for Know Theatre of Cincinnati. Work elsewhere includes Cincinnati Shakespeare Company, Oak Park Shakespeare Festival, CATCO, and The Vineyard Theatre. Douglas holds a Bachelor of Arts in Theatre from Ohio Wesleyan University.
Noelle’s background is in textiles and fabric art & design (BFA Fibers, College of Mount St. Joseph), (MFA Textile Design, Savannah College of Art & Design). Noelle has worked with Know Theatre of Cincinnati, The Cincinnati Ballet, The Cincinnati Opera, The Children’s Theatre of Cincinnati, The Human Race Theater, ArtWorks, Madcap Productions, Cedar Fair’s Kings Island, LF Creative Group, The Cincinnati Shakespeare Company, Riverbend, U.S. Bank Arena, National Underground Railroad Freedom Center, The Cincinnati Wardrobe Union (Local 864) and The Costume Designers Guild (CDG Local 892)
Velocity, the vector version of change in position over change in time, defines both speed and direction.
The short version of our name, dx/dt, is instantaneous velocity, the rate of change over a very small amount of time.
Key to the work of distance over time theatre is a kind of motion, a snapshot of change in progress.
We've made shows in Cincinnati, Edinburgh, Los Angeles and on-line.
Let's move together to explore what's next, to discover what's possible
